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The Situation and the Story: The Art of Personal Narrative, by Vivian Gornick
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A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.
This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
- Sales Rank: #12870 in Books
- Published on: 2002-10-11
- Released on: 2002-10-11
- Original language: English
- Number of items: 1
- Dimensions: 7.45" h x .55" w x 5.18" l, .33 pounds
- Binding: Paperback
- 192 pages
From Publishers Weekly
With her essays regularly appearing in high-profile periodicals, anthologies and partisan-attracting books like Fierce Attachments and The End of the Novel of Love, Gornick is one of a handful of nonfiction prose stylists whose work is instantly recognizable to the literati and crititocracy. Based on many years' teaching in a variety of creative writing programs, Gornick's book discusses ways of making nonfiction writing highly personal without being pathetically self-absorbed. In admirably plain and direct style, she discusses writers as diverse as Oscar Wilde, Joan Didion and a man she calls the "Jewish Joan Didion," Seymour Krim. Part of the virtue of this book is Gornick's wide-ranging reading, which comprises less-than-household names like Jean Amery, a Belgium-based Holocaust survivor, and the noted Italian author Natalia Ginzburg. By excerpting and condensing freely, she presents chosen texts in speedily absorbed format, which is useful for the primer-style approach here, even if some of the original authors might object to being Readers Digested in this manner. All the texts do nevertheless support her statement that essays can "be read the way poems and novels are read, inside the same kind of context, the one that enlarges the relationship between life and literature." (Sept.) Forecast: Poised for a warm embrace in writing programs and college seminars, this slim tome from a nonfiction master will undoubtedly inspire young writers, while Gornick's loyal fans will enjoy her unmistakable erudition and felicitous prose.
Copyright 2001 Reed Business Information, Inc.
From Library Journal
Noted critic/essayist Gornick (Fierce Attachments) has taught creative writing for decades, and this is the repository of her experience. She divides her subject into two parts: the essay and the memoir. While the latter essentially reflects personal experience, Gornick reminds us that an essayist is also writing personally. Drawing on classic essayists from George Orwell to Oscar Wilde, Gornick analyzes the writers' lives and sees their essays as much as possible through their eyes. She is careful to distinguish the teaching of the writing process from teaching writing, which she dismisses as impossible. Using lengthy excerpts from her favorites, Gornick presents a psychology of writing. Teaching thus by example, she creates a spare but elegant tool. Recommended for academic and public collections.
- Robert Moore, Itworld.com, Southboro, MA
Copyright 2001 Reed Business Information, Inc.
From Booklist
For Gornick, writing and teaching writing are about reading attentively, searchingly, and it is her skill in reading and thinking hard about what she's read that drives this brisk and clarifying discussion of the art of personal nonfiction. The author of various bracing nonfiction narratives, including The End of the Novel of Love (1997), Gornick recounts her early experiences writing personal journalism and the struggle she had with establishing her writing persona. Beginning with an analysis of an essay by Orwell, she posits the question, What makes a reader believe that a nonfiction narrator is trustworthy? This leads to the daunting challenge that faces every essayist and memoirist: How do you create a persona who is and yet isn't yourself? Gornick's illuminating, stirring answers to these crucial questions involve incisive overviews of the essay and memoir genres and extended interpretations of writings by Thomas De Quincey, Joan Didion, James Baldwin, Edward Hoagland, Geoffrey Wolff, Loren Eiseley, and Margueurite Duras, among others, adept and instructive analyses that unveil each work's "inner life." Donna Seaman
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
54 of 56 people found the following review helpful.
A book that deserves the stature of its author
By Peggy Vincent
Vivian Gornick writes beautifully, whether she's writing about love, politics, or the craft of writing. The Situation and the Story is based on her many years of teaching creative writing and focuses on ways of making nonfiction personal without wallowing in self-absorption. In other words, it helps writers discover where the 'universal truth,' the essence of Story, is in the millions of anecdotes in our lives.
As an author and writing teacher, I've found this book invaluable and have read it several times. My copy is well thumbed and appropriately coffee-stained.
0 of 0 people found the following review helpful.
Voice rings clear
By M. S. Blomgren
If you are interested in the process of writing this is a good book. I am not sure I always agree with her assessments of various writers--Oscar Wilde for example--but Gornick is thoughtful and probing. She speaks with knowledge and experience on one of the most slippery facets of writing: the narrator's voice. This may be one of the very best books on the subject.
0 of 0 people found the following review helpful.
Great introduction to contemporary nonfiction!
By cathy
Getting back to basics. Easy to use as a textbook.
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